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Essential Jazz Lines #2
As pianists we naturally listen to and transcribe the work of our favorite piano players. In last month’s article (August), an etude was written based on the material from the book, Essential Jazz Lines in the Style of Bill Evans. If you played that etude you probably noticed the technical challenges that it presented. It is very important to learn from the masters of your instrument in order to gain full control over the piano. The study of classical music is also recommended. Many university jazz programs require piano students to take several semesters of applied classical studies before allowing them to take private jazz lessons. This ensures that a certain level of skill is reached so that the jazz teacher can concentrate on the actual music. This month's article includes an etude written with material from Essential Jazz Lines in the Style of Charlie Parker. It is well known that Charlie Parker was an extraordinary saxophonist and one of the creators of the be-bop language. Listening to and transcribing the music of instruments other than your own will create new technical and musical challenges that when overcome, will greatly improve your playing. It is important to learn from all the jazz masters, regardless of the instrument they play, in order to be well versed in the language of jazz. Keep this in mind: In the August issue you'll find the directions on how to best use the Essential Jazz Lines series.
Visit the Mel Bay web site at www.melbay.com for a complete listing of the Essential Jazz Lines series.
Download a printable version of the music. (Acrobat PDF format) Copyright © 2003 by Mel Bay Publications, Inc., Pacific, MO 63069. All Rights Reserved. | ||||
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